These Czechs want to come to Portland. Help them out!

Join my new Ahoj PDX friend Katerina Bohadlova on Wednesday, May 30th, at MacTarnahan’s Taproom for an evening of music and merriment to benefit a not-for-profit project of the Czech contemporary theater company Geisslers Hofcomoedianten. A founder of Geisslers, Katerina is bringing the Prague-based troupe to Portland for dates from October 15th to 18th. 

In addition to nightly performances, Geisslers Hofcomoedianten will also lead workshops with with students at PSU and Lewis & Clark College, exchange experiences with local artists, and meet with the community.

For your $30 cash at the door, you will get:

  • Two beers and delicious brewery-made goodies for dinner
  • Live piano music
  • Silent auction with real Czech products
  • Short video introduction to Geisslers Hofcomoedianten
  • Great music and show by Portland based company Hand2Mouth Theater, the partner on the project and special event guest
Make a donation during the event to bring Geisslers to town and you will receive a free open ticket for one show during the company’s tour in October. Check out the event flyer and RSVP to Katerina at katerina.bohadlova [at] gmail.com.

Asked about motivations for this Czech-American cultural exchange, Katerina said, “The company has just celebrated a 10th anniversary and there is no better gift than to perform for international audiences and exchange with international artists. Allow us to share our experience and help us to build a bridge from Prague to Portland with your attendance at the Benefit event!”

About Geisslers Hofcomoedianten

The company Geisslers Hofcomoedianten built its body of work on unifying the Baroque cultural heritage with the contemporary theater principles and tools. Based in Prague and Kuks—a unique cultural Baroque site in Bohemia—the company offers a new take on the universal themes inspired in the fertile Baroque era. The company earned recently many awards in the field of experimental theatre and has its regular place in Prague’s theater scene.

 

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Do you have any recommendations for readings about America, immigration, or Central/Eastern Europe? Please share in Comments.

 

The beautiful envelope from Multnomah County Elections Division

This weekend I’ll cast my first vote in an American election—the “May 15, 2012 Primary Election.”* It’s a big deal.

Everyone remembers pivotal moments of their life: Slovaks where they were when Czechoslovakia ceased to exist and independent Slovakia came into existence; (East) Germans when the Wall came down; Americans where they were when the planes hit the Towers. I remember the exact moment I decided to apply for U.S. citizenship and be a part of this nation: on the evening of November 4th, 2008, as I watched Barack Obama step onto a stage to give his election victory speech. I became citizen just over a year ago, on May 4th, 2012.

Oh What Fun It Is to Vote

“It’s too bad that you’re not voting in a more fun election—that it has to be a primary,” said Lindsay, summarizing how Americans feel about non-presidential elections. The highest turnout in a U.S. federal election in my lifetime was in 2008: about 57% of all eligible voters and 63% of registered ones (figures vary across sources), which is meager by European standards. But in 2010, the federal election attracted only 37.8% of registered voters. Primary elections tend to garner even lower turnout numbers, though Oregon’s vote by mail system appears more conducive to turnout: 70% in 2006, 86% in 2004. Statewide primary elections are on par with the federal non-presidential election. No wonder a huge part of every election are get-out-the-vote efforts.

Reasons for low electoral turnout in the U.S. vary and include

  • lack of interest or engagement in public affairs
  • low or even decreasing trust in (and the converse high and increasing disenchantment with) public institutions, government, and politicians
  • voter registration requirement (71% of eligible voters are registered)
  • negative campaigning
  • voter fatigue
  • long ballots (authorities attempt to increase turnout by combining elections)

These factors affect me to a degree. I’ve always been interested in politics despite my low trust in public institutions and politicians anywhere. I considered having to register a hassle. American campaigns fascinate me, albeit mostly thanks to their ridiculousness. I am definitely not tired of voting and a long ballot is an opportunity to explore what’s going on.

The ballot. It is big.

Vote, Dammit!

I have also lived in a system that did not allow for free electoral choice; I am painfully aware of places where people go to prison or die fighting for the right to vote freelyalas, right now in Syria. Abstaining from voting feels disrespectful to those who cannot vote and to those who helped secure the right itself (I do feel awful for missing deadlines for Slovakia’s recent parliamentary election). Not to mention that, as they say, if you don’t care for politics, it will take care of you.

Local affairs may not be the hot stuff of the federal presidency, but they affect a denizen’s life more directly and immediately. I use the library several times a week—for books and wi-fi. It does matter who is the Portland mayor or City Councilor or state Supreme Court judge.

I look forward to casting my first ballot in the U.S. Above all, my vote effectively ends my civic limbo.

Notes

* Oregon has vote by mail so, it being too late then to mail it in, I’ll be able to drop off my ballot before the Tuesday 8 p.m. deadline.

 

Central Europe came to Portland, Oregon, last week. In the span of five days, from Friday, April 27th, to Tuesday, May Day, I experienced at least 7 Central European countries and Russia without leaving the East Side of town. Who said there’s only one America?

Stop 1: Serbia, Bosnia, and Thereabouts at Mississippi Pizza

Krebsic Orkestar with Maria Noel at Mississippi Pizza, Portland, Oregon, 4/27/12

The Krebsic Orkestar is a 14-piece local brass band that plays about a gig a month at various venues around town. I don’t know much more about The Krebsic Orkestar,* other than it is the brainchild of Alex Krebs, who is a friend’s tango teacher and leader of the Alex Krebs Tango Quartet.

Alerted by a Facebook update, I caught them at the space adjacent to Mississippi Pizza for a second time this year. Fewer people than the first time, back in January, enjoyed a slightly different show: Maria Noel sang several songs, decked out in a traditional costume. Her rendition of "Imam jednu želju" (I Have One Wish) was positively heart-wrenching. Circle dancing ensued, foreshadowing the Central/Eastern European’s back bookend.

Stop 2: Poland and Russia at White Eagle Saloon

Toasting the finally crowned eagle at White Eagle Saloon during the Polish Heritage Celebration, Portland, Oregon, 4/28/2012

I’d heard about Chervona‘s April 28 gig at the White Eagle Saloon on Facebook weeks before, but only that day did I realize their show was a part of the "Crown the Eagle Festival: A Polish Heritage Celebration."

The White Eagle Saloon is part of the McMenamins chain of pubs, most of which are located in historic buildings. The White Eagle Saloon was founded in 1905 by Polish immigrants, who settled in the Portland’s Albina neighborhood, and hosted meetings of the Polish community until the completion of the Polish Hall up Interstate Avenue. After McMenamins acquired the building, their in-house artist Maria Yoder painted the Polish White Eagle by the entrance, adding yin-and-yang signs in the wings but omitting the crown. This year McMenamins finally recognized and decided to fix the error of their ways (the Polish Communist Party used the national symbol crownless). The Polish Heritage Celebration revolved around the painting of the crown on White Eagle’s eagle.

I went to the event twice. In the afternoon, I attended a presentation about the history of White Eagle Saloon. McMenamins historian Tim Hills (yes, the company has its own historian!) showed slides of old photos of the neighborhood, the building, and various documents of Polish immigrant organizations that met there, all on the backdrop of early 20th century history, a plate of meat pierogi, and McMenamins special Orzel Bialy Baltic Porter.

Having seen Chervona up close, in the evening I watched Chervona from afar. Given Poland’s history, hearing Russian at a Polish festival was puzzling and made sense at the same time. Led by a St. Petersburg native, Chervona billed the show as an Eastern European Carnival.

Stop 3: Czech Republic and Slovakia at McTarnahan’s Taproom

I learned about the Ahoj PDX Ning Group from my sister-in-law who had struck a conversation during her cashier shift at the Food Front Cooperative Grocery with a customer who turned out to be Slovak. Exclusively in the language of its users, Ahoj PDX is a hub of Czech/Slovak activity in town. "The Pub" meetup takes place every first Tuesday of the month at McTarnahan’s Taproom in far Northwest Portland.

Having not met a single Slovak and only one Czech resident here in Portland, I was a little nervous about showing up to chat with a bunch of strangers from the same imagined community. But beer (Full Bloom Lager) and the bonds of language, origin, and immigrant experience eased the introduction. I met Milan from my home town; Laco who is a gold dredger about to leave for Nome, Alaska; Karel who owns the awesome Czech food cart Tábor; Jana (?) who is an accountant for a hydroponics shop; and finally Marika who not only gave me great tips on teaching Slovak but also turned out to be the person who, inspired by the SK sticker on my car’s rear bumper, years ago stuck a piece of paper with her phone number behind my windshield—following a single phone call, we’d lost touch.

For an evening, it was as though Czechoslovakia still existed.

Stop 4: Bulgaria, Macedonia, and Thereabouts at Al Forno Ferruzza Pizza

Kafana Klub performing at Al Forno Pizzeria, Portland, Oregon, May Day, 2012

At the Krebsic Orkestar show, an English guy told me and Maria added details about the regular (1st Tuesday of the month) Kafana Klub performance at Alberta’s Al Forno Ferruzza Pizza.** Right after the Czech/Slovak experience, acoustic Bulgarian and Macedonian music was quite a jump, as was the transition from the sedentary pursuit of beer and conversation to circle dancing, which mysteriously took over the dance floor. Vague flashes of Hobbiton clashed with visions of a medieval hall beneath the Balkan beats as Brent Geary shredded the violin and kemenche (Karadeniz Kemencesi).

Though I wished for more amplification and room on the floor (circle dancers!), the music left me enchanted and eager to return next month. What a problem to have: if only The Pub wasn’t happening at the same time!

Notes

* Yet. I’m interviewing Alex Krebs soon.
** What is it with pizzerias and Balkan music?!

 

No matter what we call it and whether or not we speak of it as such, Central Europe was, is, and probably continue to be. Like the Danube, which existed long before it was called the Danube. Central Europe may well outlive us. The existence of Central Europe is thus a given. And yet Central Europe is transitory, provisional. It is neither east nor west; it is both east and west. —George Konrád in "Melancholy of Rebirth: Essays From Post-Communist Central Europe, 1989-1994"

 

 
How Thinking in Another Language Improves Your Decision-Making

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The New Outsiders

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I Dream of Places Far From Here

"Immigrant" by Nitin Sawhney, from the 1999 album Beyond Skin

 
The Stories of Others

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Head-Spinning in America

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Particles in a Kaleidoscope

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American Euphemisms and Evasive Thinking, Part 2

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