There are many nostalgic objects on immigrant bookshelves, and still the narrative as a whole is not that of nostalgia. Diasporic souvenirs do not reconstruct the narrative of one’s roots but rather tell the story of exile. They are not symbols but transitional objects that reflect multiple belonging. The former country of origin turns into an exotic place represented through its arts and crafts usually admired by foreign tourists. Newly collected memories of exile and acculturation shift the old cultural frameworks; [diasporic] souvenirs can no longer be interpreted within [...] Continue reading >