Jul 072015
 
Feeling Through Sound: An Interview with Willo Sertain

Willo Sertain is the founder and accordionist of Macaulay Balkan, the latest addition to Portland’s Balkan music scene, which had been, according to one active member, in need of new blood. Having seen Macaulay Balkan’s first three shows, part of the monthly Balkan Night at Atlantis Lounge/Mississippi Pizza, I can attest not only that they’re coming into their own as a band but that they’re making a difference. I chatted with Willo about her fascination with Balkan music. American Robotnik: Where does your passion for Balkan music come from? […] Continue reading >

Jul 032013
 

To be sure, in our human condition, it takes long, strenuous work to find the wished-for terrains of safety or significance or love. And it may often be easier to live in exile with a fantasy of paradise than to suffer the inevitable ambiguities and compromises of cultivating actual, earthly places. And yet, without some move of creating homing structures for ourselves, we risk a condition of exile that we do not even recognize as banishment. And paradoxically, if we do not acknowledge the possibility and the real pain […] Continue reading >

Jun 272013
 

[T]hese days we are wont to say not so much that all fiction is homesickness as that all homesickness is fiction—that home never was what it was cracked up to be, the haven of safety and affection we dream of and imagine. Instead, home is conceived of mostly as a conservative site of enclosure and closure, of narrow-mindedness, patriarchal attitudes, and dissemination of nationalism. And, indeed, the notion of “home” may have been, in recent times, peculiarly overcharged, as the concepts of “country” and “nation” have been superimposed on […] Continue reading >

Jun 112013
 

[A]s a psychological choice, the exilic position may become not only too arduous but too easy. Perhaps the chief risk of privileging the exilic narrative is a psychic split—living in a story in which one’s past becomes radically different from the present and in which the lost homeland becomes sequestered in the imagination as a mythic, static realm. That realm can be idealized or demonized, but the past can all to easily become not only “another country” but a space of projections and fantasies. Some people decide to abandon […] Continue reading >

May 292013
 

[O]ne certain outcome of exile is the creation of a bipolar personal world. Spatially, the world becomes riven into two parts, divided by an uncrossable barrier. Temporally, the past is all of a sudden on one side of a divide, the present on the other. —Eva Hoffman in “The New Nomads”, in: Letters of Transit: Reflections on Exile, Identity, Language and Loss, Andre Aciman, ed.

Mar 032013
 

An accent is a tell-tale scar left by the unfinished struggle to acquire a new language. But it is much more. It is an author’s way of compromising with a world that is not his world and for which he was not and, in a strange sense, will never be prepared, torn as he’ll always remain between a new, thoroughly functional here-and-now and an old, competing altogether-out-there that continues to exert a vestigial but enduring pull. An accent marks the lag between two cultures, two languages, the space where […] Continue reading >

Feb 132013
 
Do What's Necessary, Seek to Make Choices

The bus ride last Saturday night to the Kultur Shock concert enlightened me on the difference between actions that you do out of necessity and those that you do by choice. Sticking with the bus analogy. On my commute to and from work, most people appear to be there by choice. They have jobs or school to go to, and they could drive but choose not to. Reasons differ: some refuse to pay exorbitant parking fees downtown, others believe in public transportation, others still—you can count me here—save a […] Continue reading >

Aug 252012
 
Made of Fragments

We slip between definitions with such acrobatic ease that straight narrative becomes impossible. I cannot conceive of my story as one of simple progress, or simple woe. Any confidently thrusting story line would be a sentimentality, an excess, an exaggeration, an untruth. Perhaps it is my intolerance of those, my cherishing of uncertainty as the only truth that is, after all, the best measure of my assimilation; perhaps it is in my misfittings that I fit. Perhaps a successful immigrant is an exaggerated version of the native. From now […] Continue reading >

Aug 172012
 
Music from the Heart: An Interview with Maria Noel

Maria Noel is a singer with two of Portland’s Balkan bands: Krebsic Orkestar and Kafana Klub. As I explore what compels natural-born Americans play foreign, particularly Balkan, music, I was curious to learn more about Maria’s experience. She chatted with me on a hot July afternoon. American Robotnik: How did you get into Balkan music? Maria Noel: I’ve always had an interest in folk music but for a long time I lacked focus. I guess I just needed to meet the right people. In around 1993 I met Dennis […] Continue reading >

Jul 272012
 
Americans vs Balkan Brass: An Interview with Alex Krebs

Alex Krebs is the founder of Krebsic Orkestar, a Portland, Oregon-based Balkan brass band, where he plays the saxophone. Dubbed by Oregon Music News as “Oregon’s tango king”, he teaches tango, fronts the Alex Krebs Tango Quartet, and in August he will back up on bandoneon “the Frank Sinatra of tango” Alberto Podestá at a festival in Baltimore. He has a double major in physics and music from Reed College. He shared with me his passion for Balkan brass music at his Tango Berretin studio in Southeast Portland. American […] Continue reading >

Mar 052012
 
How Migration Affects Your Vote in Your Home Country

Civic limbo is an extreme case of the migration experience. Only a small fraction of Central European nationals vote from abroad and their share in electoral turnouts, and hence the impact on electoral outcomes in their home countries, is even smaller. If their votes carried greater influence, however, elections across Central Europe would turn out quite differently. That is a conclusion of a 2006 paper by Jan Fidrmuc and Orla Doyle, who examined the effect of migration on voting behavior. Migrants encounter different cultural and social norms in their host countries. The exposure […] Continue reading >

Feb 092012
 
You Must Go and Be Yourself: An Interview With Alina Simone

When I read "You Must Go and Win," I knew I not only had to review it on account of its subject matter’s relevance to American Robotnik, but also try to interview the author Alina Simone. We talked yesterday via Gmail Chat about Russia and Russianness, about music and writing, and about doing your own thing. The first question was hers, about my experience reading her memoir: "Are you scarred?" American Robotnik: In your New York Times T Style interview, you talk about growing up as an American kid and, later, […] Continue reading >

Feb 032012
 
Going and Winning, Immigrant-Style

Alina Simone’s critically (and, on occasion, uncritically) acclaimed collection of personal essays "You Must Go and Win," documents her circuitous path through music industry’s wilderness and the discovery of her Russian roots. You must go and read it. At the risk of overgeneralizing: Simone deadpans as perhaps only an Eastern European can; her voice engages as perhaps only an American storyteller’s is able to. Simone has been called "a frenzied, Eastern European musician’s version of humorist David Sedaris." Both Simone and Sedaris find humor in the banality of life; both are […] Continue reading >

Nov 302011
 
Praha My Prague: A Micro-Memoir

This is a reprint of a guest post I wrote for Czechmate Diary. Enjoy! *** “I’ve been to Prague,” is the most frequent response I hear when I tell Americans I’m from Slovakia (“Where is that?” and “Czechoslovakia?” are close behind). Prague looms large in many people’s imagination, and every time I hear the sentence, I think of ‘my Prague’ and the layers upon layers of memories the city conjures. The Velvet Prague I visited Prague for the first time when I was 12 1/2, with my parents in […] Continue reading >

Nov 262011
 
In Remembrance of Tanks

Another Thanksgiving is over and tanks won’t be haunting me for at least another year. Every year the holiday’s name makes me think of tanks, which is why I secretly call it Tanksgiving. Tanks play a role in a Central European’s, and particularly a Slovak’s or a Czech’s, life story and imagination. If you ask any Slovak or Czech with memories of living in socialist Czechoslovakia about tanks, I guarantee he will share at least one memory about a particular tank. (Please do share your tank story in the Comments.) ‘My tanks’ […] Continue reading >